Rani Mukerji, the National Award-winning actress, recently opened up about the groundbreaking narrative of the 2006 film Kabhi Alvida Naa Kehna (KANK), directed by Karan Johar, which she believes was “ahead of its time” in addressing uncomfortable truths about relationships. In an exclusive conversation with ANI, Mukerji discussed how the film, starring Shah Rukh Khan, Abhishek Bachchan, Preity Zinta, Amitabh Bachchan, and Kirron Kher, pushed boundaries by challenging societal expectations around marriage and personal happiness.
The film follows Dev (Shah Rukh Khan) and Maya (Rani Mukerji), two individuals trapped in unfulfilling marriages who find solace in each other, sparking an extramarital affair fraught with guilt and emotional turmoil. Mukerji emphasized that KANK dared to question the notion that a “good” spouse—defined by societal standards as someone who is loving and non-abusive—is sufficient for a fulfilling relationship.
“Just because your husband doesn’t hit you, it will not make him the best husband,” she stated, highlighting the film’s exploration of deeper emotional and physical needs, including the often-taboo topic of physical attraction in marriages. She noted that many marriages have dissolved due to unmet needs, a reality the film boldly portrayed.
Mukerji also addressed the societal double standards faced by women who choose to prioritize their happiness, drawing parallels to her character, Maya. “When a man chooses, people are okay with it. But when a woman decides to leave a marriage or relationship, it always raises eyebrows,” she said, underscoring the stigma women face for defying traditional norms. The actress praised the film for sparking conversations about self-reflection and personal fulfillment over societal approval, a theme she believes resonates more strongly today as attitudes toward individual happiness evolve.
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Despite mixed reactions from audiences upon its release in August 2006, Mukerji remains steadfast in her support for KANK’s narrative. “We can’t let a film be alone just because the audience hasn’t accepted it. We have to stand by our film,” she asserted, acknowledging the polarized opinions but defending the script’s integrity. The film’s unflinching portrayal of complex relationships, coupled with its stellar ensemble cast and Johar’s nuanced direction, has cemented its place as a culturally significant work in Indian cinema, even if it initially left audiences uncomfortable with its raw honesty.
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