Australian Content Creator Explains Why Delhi’s Jugaad Culture Works Better for Him

Australian content creator Andy Evans, better known online as “theaussiebhai,” has gone viral after posting a candid video explaining why he prefers living in Delhi over Mumbai, citing the capital’s famous “jugaad” culture as the decisive factor. In the Instagram reel titled “I like Mumbai, but…,” posted on November 25, 2025, Evans argued that Delhi’s flexible, quick-fix approach makes everyday tasks dramatically easier compared to Mumbai’s stricter adherence to rules and systems. The clip, already viewed millions of times, has sparked a lively debate among Indians about the contrasting personalities of the country’s two biggest metros.

Evans, who has spent significantly more time in Delhi, illustrated his point with a simple example: in the capital, an extra ₹200 can persuade almost anyone—delivery workers, electricians, or auto drivers—to go the extra mile. “Two hundred rupees in Delhi? Anyone will do anything for you. You can have a bhaiya help you with whatever you want in your house,” he said, adding that Mumbai residents and workers tend to stick rigidly to the original agreement. “In Mumbai, people are like, ‘you paid me for this; I’m just delivering this.’ Hey, Bhaiya, just ₹200 extra. Help me with this? Nahi. Nahi. Nahi.” He captioned the video: “I miss that Delhi jugaad.”

The observation struck a chord with thousands of viewers who have lived in both cities. Comments ranged from agreement—“He is spot on about the quick-fix culture in Delhi”—to defenses of Mumbai’s professionalism—“Mumbai people believe in doing things the proper way, and that’s why the city runs smoothly.” Several users acknowledged the trade-off: “Delhi has convenience, Mumbai has structure—both have their own charm.” Others found humor in the accuracy, with one writing, “He explained what many people quietly feel but never say.”

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The video has reignited a long-standing friendly rivalry between Delhi and Mumbai residents, with many treating Evans’ preference as validation of their own city’s character. For Delhiites, his praise of jugaad—the uniquely Indian art of resourceful improvisation—felt like a badge of honor, while Mumbaikars saw the Australian’s frustration as proof of their city’s disciplined efficiency. As Evans continues to document his life in India, the reel has cemented his status as an unlikely but relatable commentator on the country’s urban quirks.

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