Drishyam 3 Review: Mohanlal Steals The Show, But Weak Screenplay Dilutes Jeethu Joseph’s Sequel
Mohanlal excels as Georgekutty, but Drishyam 3 suffers from a weak, slow screenplay.
The latest installment in the acclaimed crime thriller franchise, Drishyam 3, directed by Jeethu Joseph, has drawn mixed reactions from critics, with early reviews praising superstar Mohanlal’s performance while pointing to weaknesses in the screenplay and pacing. The film continues the story of Georgekutty and his family, a narrative that first captivated audiences with Drishyam (2013) and Drishyam 2 (2021), both of which set high expectations for the sequel.
The story picks up years after the previous events, showing Georgekutty and his family attempting to lead a normal life while still living under the psychological shadow of past incidents. In a significant development within the plot, Georgekutty, who once worked as a cable TV operator, is now depicted as a successful film producer. Interestingly, the film within the story, also titled Drishyam, becomes a major box-office success, further complicating the family’s emotional reality as fear and suspicion continue to linger.
The review highlights that while director Jeethu effectively portrays the emotional evolution of the central character, the screenplay lacks the sharp twists and gripping tension that defined the earlier films. The narrative reportedly unfolds at a slow pace in the first half, with limited suspense-building sequences compared to its predecessors. Critics note that although the climax regains some intensity, the overall structure struggles to maintain consistent engagement.
Also Read: Drishyam 3 Records Strong Day 1 Box Office Opening With Packed Theatres
Mohanlal’s performance has been widely praised as the strongest element of the film, with the actor convincingly portraying an older, more emotionally burdened Georgekutty. His subtle expressions, restrained dialogue delivery, and layered portrayal of fear and protectiveness are highlighted as key strengths. Supporting performances by Meena, Ansiba Hassan, and Esther Anil also receive appreciation for adding emotional depth to the family dynamics.
On the technical front, the film is described as competent but not exceptional. Cinematography by Satheesh Kurup maintains continuity with the franchise’s visual tone, while the background score by Anil Johnson enhances key suspense moments. However, the editing has been noted as a drawback, with suggestions that a tighter cut could have improved pacing and reduced runtime concerns. Despite its shortcomings, the film remains notable for its central theme of moral ambiguity and family protection.
Overall, Drishyam 3 is positioned as a character-driven continuation rather than a high-intensity thriller, with Mohanlal’s performance anchoring the narrative. While it may not fully match the suspenseful impact of the earlier films, it still appeals to viewers invested in Georgekutty’s story and the ethical questions surrounding survival, secrecy, and sacrifice.
Also Read: Drishyam 3 Records Strong Day 1 Box Office Opening With Packed Theatres
